What an interesting read this was! Started out as one thing and then took a left turn and became something even better. Taut, suspenseful and compelling; this is a corker of a debut novel. Pollock is writing from a place of knowledge and his portrayal of Peter, in particular, is fantastic. I sympathised with his character straight away and loved his story arc as he becomes someone he never imagined he could be. There are plenty of sinister and shady support characters too, and the parental influences here are terrifying. The ending of this book left me hanging, which was absolutely by design and very cleverly done. I look forward to seeing what else comes from the mind of Tom Pollock. This is a very self-assured and breathtaking debut.
This is a corker. A fun romp with the dissolute and self-centred Monty and his faithful and close confidante, Percy. Along for the ride is Monty’s sister Felicity who is not your average Regency chick. After embarking on their Grand Tour, things go horribly awry for Monty and his party when he decides, out of spite, to pilfer a small box from the home of a French Minister, the Duke of Bourbon. Their trip turns into a daring and breathless chase across France, Spain and Italy as they are robbed, kidnapped and enlisted as pirates along the way.
Monty and Percy are developing a close relationship, closer than society would like and, to make things even more complicated, Percy reveals he is epileptic – an affliction that will see him thrown into an asylum.
Lee maintains a good narrative pace, and the characters are engaging and likeable. The historical details feel accurate and cover a wide variety of issues of the period. Of particular interest are the treatment of black people such as Percy, and conventions around the roles of women such as Felicity. Monty is the lens the reader sees these things through, and he learns as we learn.
Heartily recommended for ages 14 and up.
This is my favourite in the Circus Hearts series so far. Contortionist Ren and card-sharp Zep are a great combination. Both trapped in some way by family ties, looking to make their own way, on their terms, in a hostile world that seems to put obstacles up at every turn. Zep is smart, sexy, sensitive, and – despite having the despicable Angus Deal for a father – a straight shooter. Ren is struggling to prove to her family that circus life is what she wants and is a worthwhile career option. She is also recovering from severe smoke inhalation from a fire; a fire Zep Deal saved her from.
Zep and Ren develop an unstoppable attraction and along the way they put themselves in danger to make sure Angus and the saboteurs from the past two novels, go to prison for a long time.
The beautiful, vulnerable, but resilient Ren and the savvy, handsome, and protective Zep are the best romance in this series yet.
This is an interesting book. There are three distinct voices telling the story, and we see events unfold from a number of perspectives that only enriches the experience. Clem, Ady and Kate are thrown together as part of a “wellness” program exercise and discover things about each other that ends up binding them together in deep, meaningful friendship. Each girl has her own baggage, and each commits herself to steadfast support of the other two.
Gender politics, sexual identity and finding one’s own path are the overriding themes here, with each girl having to make difficult and far-reaching choices about her life.
Not sure I personally would have given it CBCA Book of the Year (2018), but it certainly deserved a nomination, and it is a novel I would recommend highly for readers aged 13 and up.
There is power in this story, for everyone.
This glorious book. This lyrical, mystical, earthy book. I loved it. Ambelin and Ezekial Kwamullina have woven together two different narrative perspectives and made them seamless. Beth Teller, a ghost, is tethered to her grieving father after being taken too soon in a car accident. Her father, a police detective, has been sent to a town to investigate a suspicious fire and death. In the course of the investigation Beth and her Dad meet Isobel Catching, thought to be a witness to the fire. Catching, the second narrator, tells her story in a verse novel style and hers is a strange and compelling tale. As we read these stories side-by-side, we start to see connections in them. Other people in the town go missing, Beth’s Dad starts digging into the town’s past, and unravels a mystery that spans twenty years.
The imagery used in Catching’s story, with connections to animals and the landscape, along with Beth’s emotional attachment to her father, and a growing attachment to Catching, move this story along at a deceptive pace. This is an easy read, but the themes are raw and real and definitely not for a junior audience. I would suggest ages 13 and up would be the way to go here.
Highly recommended reading.
I have mixed feelings about this book. On the one hand it is a beautifully realised middle grade novel about a school council who decides to ban some books, and the girl who stands up to them. On the other hand, it is the story I was in the middle of writing, so…. yeah…..
Ban This Book is a gem. Amy Anne Ollinger discovers the library has removed her favourite book from the shelves (From the Mixed-Up Files of Mrs Basil E. Frankweiler), as well as others. The librarian, Mrs Jones, is powerless against the will of the school council; led by the evangelical Mrs Spencer. I will admit, I read this during Banned Books Week, so it resonated very strongly with me. The themes here would elicit some great class discussion if it was used as a read-aloud text, and Amy Anne is a sympathetic protagonist, particularly for students who find sanctuary in the library and its resources.
I loved the little library that Amy Anne starts, and how the students all manage to find her and gain access to the books the well-meaning, but misguided, adults are trying to keep from them.
Amy Anne develops well as a character, and the reader is in her corner all the way, willing her on.
I don’t want to post any spoilers, but there are lovely themes of family relationships, friendship, sharing, finding one’s voice, and injustice in this terrific little novel.
Ages 10 and up.
Ruby Moonlight was an unexpected book for me. A friend at work recommended it because she knows I like poetry, and she totally nailed it. This is a remarkable verse novel. Economical with its language, it nonetheless manages to be exquisitely evocative of both place and emotion. Eckermann’s connection to the natural world is deep and profound and she connects the woman at the centre of this story to it really well. A doomed relationship set against the backdrop of ignorance and colonialist racism is completely believable and devastating.
I would recommend this to anyone studying the impact of white colonialism on the indigenous population of Australia (indeed, any nation), and those who value every story, no matter who tells it.
Ages 13 and up.
This book was not what I expected. The Underground Railroad here is represented by an actual, rails and sleepers, railroad that moves through an impossible series of tunnels spiriting runaway slaves away to lives away from servitude and abuse. Told mostly through the eyes of Cora, the daughter of a slave, who wants more for herself than her masters will ever give. Cora’s road to freedom is a difficult and harsh one, and there are no punches pulled in Whitehead’s depiction of the slaves’ existence. Constantly referred to as “it”, and treated as chattel, the life of Cora and her friends Lovey and Caesar are horrendous. Ultimately there are signs of humanity amidst the carnage but, as it was no doubt in reality, these are rare and short-lived.
The Underground Railroad is a tale that keeps you reading, even though you know things are not going to improve quickly for the protagonists. The slave catcher, Ridgeway, is also compelling because he represents and exemplifies the mindset that allowed the vile slave trade to prosper in the Southern states of the newly independent nation.
Read it to see why it deserved the Pulitzer in 2017.
The second installment in the Nevernight Chronicle is breathtaking. Hot, bloody and raw, this is Jay Kristoff at his best. Mia Covere is back, on a secret mission for the Red Church, but she soon learns that things are not always what they seem. New betrayals, new allies and new love for Mia force her to examine all she believes and the purpose of her life (to avenge the death of her family) starts to become less sure. Godsgrave itself is a shady and underhanded character and those who inhabit it are its equal. Mia uncovers conspiracy on top on conspiracy and she must choose ultimately between her path of revenge and her loyalties, such as they are.
If you like your fantasy sweaty, sexy and fast-paced; this is for you!
Ages 15 and up.
Paul Jennings has done it again. This carefully crafted book has emotional resonance, complexity in narrative, and is wrapped in an engaging and approachable narrative that would suit ages 8 and up. It is a simple story, but adds complexity with alternating points of view. Anton the orphan runs away, somewhat inadvertently, and finds himself a stowaway on a ship to the “New Land”. There he meets Max, a boy who is has his own struggles – with learning and reading and life in general. Max’s mother cares for Anton, planning to adopt him as her own when they arrive at their destination. Then a near-tragedy changes everything. I don’t want to give away anything because I like to be spoiler free, but there will definitely be tugging on the heartstrings as this tale reveals its secrets to the reader.
Absolutely recommended and a lovely companion to the earlier A Different Dog by the same author.