This is the start of a great new series by Ellie Marney. Colm and Sorsha are a hypnotic combination and the back story of being on the run was perfect to throw them together. As usual the first kiss between the two protagonists is HOT, which is an Ellie Marney speciality. Marney effectively paints a picture of circus life and show folk well, and I look forward to reading more about this cast of characters. Can’t wait for All Fall Down to drop into my Kindle!
Doomsday preppers…riiiight….I was not sure if I would enjoy this as much as Lili’s other novels. Sure, I knew it would be well-researched, and the writing would be impeccable, but preppers? I shouldn’t have worried. From the first page I was drawn in and couldn’t wait to know more. Pru and her sisters, twins Grace and Blythe, live with their Dad in the remote town of Jubilee. In the first pages of the book we see the girls dodging intruders and threats, but eventually learn it’s a drill their father makes them do on a regular basis. Already the reader is made to feel uneasy because Pru is a doomsday prepper, or at least the child of one, and they are not necessarily known for their rational view of the world. Having a possibly unreliable narrator just serves to make the story more interesting. Then, the unthinkable (except for preppers) happens. There is a massive disastrous event and all of a sudden nothing that relies on electricity, or that has circuitry, works. No cars, no phones, no radio, no TV. No electric cooking, etc. To make matters worse, there’s been an explosion at the mine where Rick, the girls’ Dad, works and only a few have survived. The girls are on their own, in their bunker, with only each other to rely on. “Family comes first” their father has drilled into them since their mother left, and the girls are determined to survive, even if it means denying the other people in town much-needed assistance. When someone tells the other townsfolk of the girls’ secret, things take a turn. I will not spoil the rest of the story, but this book is an absolute page-turner. Survival, romance, betrayal, violence, death, redemption – it’s all there and Wilkinson writes her narrative with admirable restraint. There would be a tendancy for someone less experienced to pump up the hyperbole and drama, but Lili Wilkinson allows the drama to develop from small things- things that become huge in remarkable and terrifying circumstances. If you like gritty and realist fiction with a dytopian edge, this is for you.
Recommended for ages 14 and up.
Marlowe, the central character in Shivaun Plozza’s accomplished second novel is a fantastic protagonist. Flawed, fragile, but ultimately stronger than she realises, Marlowe is finding her way back into the world after having a life-saving heart transplant. Obsessed with connecting with the family of her donor, Marlowe is frustrating, but also highly likeable. Her mum is a “vegan warrior” who only wants the best for Marlowe, but she also tries to be her friend a little too much. I didn’t enjoy this character as much as I hoped to, but Pip, her wonderfully eccentric and self-confident little brother is an absolute delight. I kind of wish younger kids could get to read Pip too, because he is such a positive character. As such, Pip is a great reflection of Marlowe, who is often down on herself and others much of the time. No matter what, Pip can find the good in almost everything. As Marlowe’s relationship with the sister of her dead donor develops, the reader can see there is disaster looming, and when Marlowe starts falling for Leo, son of the local butcher, there is conflict of epic proportions brewing. No more story elements for fear of spoilers, but suffice to say Marlowe has to confront more than a few personal demons and work on mending lots of fences before the story ends.
Plozza’s writing is heartfelt and her dialogue, as in her debut novel Frankie, is absolutely on point. Leo is a laconic smart arse, but has a heart of gold. Marlowe is trying to break away from her family, but ultimately loves them more than anything. The realities of an adolescent trying to find her place, and settle into it comfortably are familiar, and handled here with aplomb. Highly recommended for ages 14 and up.
Beth (Elizabeth) Miller lives in a small town, Deni, and has just started a relationship with local boy, Jonah. When we first meet them, Beth is trying to work up the courage to tell her father, “Bear” – a local teacher and karate instructor – about her boyfriend. Beth’s Dad disappears after the appearance of a nondescript white van and from that moment on, her entire life is turned upside down and inside out. Everything Beth thought she could be sure of in her life becomes shaky as she discovers her family has been in hiding from a dangerous, vengeful criminal who has now found out where they live.
I love how Fleur Ferris throws the reader immediately into the middle of the action in this novel. We have barely met Beth and Jonah when things begin to go pear-shaped, and the pace does not let up for the rest of the 300 pages. Beth turns out to be a highly capable and resourceful girl, because her parents have always been secretly preparing in case they were found out; but she is also incredibly fragile, trying to make sense of everything that is going on AND trying to keep herself and her family alive.
Jonah is interesting too – especially because he learns things about his own behaviour (he’s a bit of a selfish prick for a while), and he has great mates like the fantastic Warra to help pull him back into line. Willow, Beth’s best friend, is also well-drawn and the conversation between the two girls feels natural and easy.
I won’t give any more plot points away, but I CAN say that just when you think you know everything, there is another surprise or shock over the next page!
Fleur has found her stride here – a great mix of excellent scene-setting, and well-paced action – and has cemented her place as a premium writer of YA thrillers.
If you are a teacher you will, at some point, recognise yourself in this book. I did and, while I am not a teacher, I work closely with students every day. If you are not a teacher, you will want to walk up to every teacher you know and THANK them for what they do every day. For how they care, for the time they sacrifice, for the absolute gut-wrenching crap they have to endure most of the time to make sure your children, OUR children, get the best education possible.
This is a harrowing read. No doubt. There are moments of emotional uplift, but mostly this is a very raw, very real account of how the joy of teaching, as a profession and a calling, is being constantly eroded and demeaned by powers who have no business dictating a letter, let alone dictating what the national curriculum should be. Gabbie Stroud’s voice is loud and clear. Teacher is a highly readable and extremely well-written memoir, and a searing indictment on our education system and its “standards”. Our education system is broken. This book won’t fix that, but Gabbie’s voice, the voice of so many educators out there, needs to be heard. By everyone. Read it, cry, then resolve to never let another child sit the NAPLAN and to tell your child’s teacher they are valued, that they MATTER. A heartbreaking call to arms. A must read for EVERY parent of school-aged children, and everyone else too. Highly recommended.
A review copy was provided by the author in exchange for a fair and honest review. Rachel Sanderson’s last book, The Space Between was a well-constructed thriller and Mirror Me is too. Sanderson Shows a surer hand here – the characters are more clearly realised, and the tension is tighter, and more nuanced.
Central character Abbie moves to the rural community of Derrington with her mother, Mum’s partner Stacey, and little brother, Tom. Mum is a doctor who is taking over the local practice for a year after the sudden departure of Dr O’Brien. Abbie has left her school, her BFF and everything she knows and feels safe with to come and live in the back of beyond. Initially she feels a bit our of her depth, but she makes some new friends and all seems to be going okay until she discovers she is the spitting image of another girl, Rebecca (Becky) O’Brien, who was murdered a year ago. Weird things start to happen. Abbie has dreams about Becky’s murder, she feels drawn to the house where it happened, and begins to obsess about the details.
Abbie also has to cope with a bully named Dave, a blossoming romance with a guy named Zeke, and a deepening friendship with the local handyman, Andy. Little by little coincidences start to stack up and Abbie is convinced the dead girl is trying to communicate with her.
Sanderson builds the growing tension well in this novel. The pace is just right. In The Space Between the ending felt a little rushed, but she takes her time here, giving the characters time to breathe and explore their own stories. The result is a really great, suspenseful story that had me gripped to the very last page.
I loved this book. I EMBRACED this book. Mark Manson delivers much of his message with his tongue firmly in his cheek, and sometimes over-simplifies things, but the kernel of what he is trying to say is never in doubt. We are free to choose what we give a f#ck about, and those choices determine how successful/loved/important we think we are. There are many other books around sending the same message, but this one is the first in a long time I have read right to the end. Some friends of mine have not been able to get past the first few pages, which is a shame because this book pays off in spades in the last 4o pages or so. It is in those pages you come to understand Mark Manson, and why he’s written this book, and says the things he does.
My favourite piece of advice?
“When life gives you lemons, sometimes you just have to learn to like the taste of lemons.” Period.
So true. Sometimes life is just shit.
This book does not pretend it can make your life perfect, nor does it purport to be the “one guide” to living. What it DOES do, is demonstrate how to cut through your own bullshit; to kill the self-talk that can hold one back; to stop blaming everyone and everything else for the way you react to situations.
A great read and a timely wake-up call for me.
If you love AFLW, and the spirit behind it, this book is for you. Sam Lane has done a great job of slipping behind the scenes in this book that profiles some of the marquee players and some who are not, with equal vigour.
The first chapter, which outlines how the AFLW competition finally happened, is the most journalistic in the book. The rest of the book is so much more engaging and resonant. It shows just how diverse the players and coaches are in this brave new world and celebrates them all. I loved reading about Kirby Bentley (who I did not know much about at all, despite the fact that for a while she played for Melbourne – oops); her family, her home town and her road to playing AFLW for Fremantle. And reading about AFLW Crows coach Bec Goddard; her commitment to the game, and her hopes for the future, broke my heart as I read it already knowing that she has had to walk away from her greatest passion because she could not earn her living from it as she wanted to.
The thing that comes through most is that these women, and one man – Craig Starcevich – have been treated pretty shabbily by the AFL, who are happy to ride the wave from the surge of interest in the women’s competition, but are bloody miserly with the money to help it grow properly – not just in terms of player pay, but also in terms of development, coaching and scheduling. I really hope the AFL can sort itself out on these issues, because the other thing that is CRYSTAL clear is that all the AFLW personnel featured in Roar love the game. The highs, the lows, the injuries, the wins and losses – they love it all and just want to be a bigger part of it. Sam Lane’s book is, as the great Robert Murphy is quoted saying on the front cover: “A powerful and timely call to arms.” It certainly is.
Recommended for all footy lovers, and those who want to see the AFLW grow into what it should be.
Americus is one of the best graphic novels I have read in recent years. I have been meaning to read it for nearly five years, so I am glad I finally managed to catch up with it today. Set in the ficticious town of Americus, the plot centres around a young guy, Neil, who has just started high school in the US (Year 9) and his life. Neil and his best friend, Danny, are ardent fans of a book series called The Adventures of Apathea Ravenchilde (a thinly veiled Harry Potter lookalike). Danny’s mum is, in the Australian vernacular, a God botherer. She takes it upon herself to “save” Danny from the satanic evils of witchcraft by tearing up the latest installment in the series in front of the local public librarian and then sends Danny to military school so he won’t risk being exposed to the wickedness Americus’ public library. Parents, town officials, school management and the kids square off against one another in various combinations as the fight for the right to read starts a battle for the ages. Neil is a perfectly pitched character – embarrassed by his own mum’s fussing, but grateful for her support when he needs it most; awkward around most people, but starting to find his tribe by the close of proceedings. I loved every page of this fantastic book. There is plenty to say here, and clearly the writer is firmly on the side of reading freedom, but there is room for discussion with young people around the issues this raises. Karma is handed out to all – and the ultimate irony of Danny’s banishment by his mother when he writes to Neil about what he is reading is sweet perfection.
An instant classic and suitable for ages 12 and up.
I see you, Scot Gardner. I see the vagabond in you; the rough and tumble philosopher; the man-boy trying to make sense of the world, even after living in it for years; the raconteur; and someone whose love of this land we call home runs as deep as the roots the trees he walks amongst. I see you because it is all here in this life-affirming, totally disarming novel. Until I finished this book today my favourite Scot Gardner book was The Way We Roll, but now it is this gem. Changing Gear is a triumph of noticing small things and showing how important they are.
Merrick Hilton is eighteen and on the verge of final exams. He exists between two houses, but is loved in both. Grieving the death of his much-beloved grandfather and feeling hemmed in by expectation (his own and those of the people around him), Merrick takes off on his trusty postie motorbike and heads into the landscape.
This is a road trip of self-discovery, and of self-affirmation. As Merrick travels he meets Victor, a long-time wanderer and finds himself drawn to his life of walking and camping as the landscape dictates. Victor and Merrick settle into laconic patter with ease and Merrick finds himself letting go of things he had thought to be important, and learning to value simpler things like a decent cup of tea, succulent sun-warmed strawberries and the companionship of someone with no expectations of him at all.
The questions Merrick asks himself are timeless: am I enough? Am I gay? Will I ever get laid? What comes after school? How do I recover from the loss of a loved one/best friend? His journey (ugh, hate that word, but it applies here) brings him some answers and gives him the courage and tenacity needed to find the rest.
No spoilers here, but I urge you to read this book – if you are a teenage boy, are raising teenage boys, know a teenage boy, or wondered what it is like to be one. My Aussie YA of the year so far, no doubt. Thank you, Scot Gardner, for giving us yourself in Merrick – and Victor – and showing how good writing and compelling characters can help shape confused boys into decent, caring young men.
For ages 13 and up.