Brian Selznick won many hearts and minds with his modern children’s classic, The Invention of Hugo Cabret. His unique combination of words and images was a winner, and it was beautifully realised in Scorsese’s film. Hugo. The Marvels is set to become another classic and I sincerely hope someone is looking to film this story for the big screen.
The story begins with images, almost 400 pages of them, and they are magical. Beautifully rendered pencil drawings tell the remarkable history of the Marvel family, from 1766 to 1900. Beginning with Billy Marvel, who survives a shipwreck on the ill-fated Kraken, the tale of a family closely tied to the stage unfolds. Images of angels and fire combine to weave a tale of triumph and tragedy, and a family whose lives truly reflect their surname.
Almost 100 years after the last picture in the story, Joseph Jervis runs away from school and turns up on the doorstep of his uncle, whom he has never met, the enchantingly named Alfred Nightingale. Alfred’s house is a time capsule, held fast in the early twentieth century, and it is clear he wants nothing to do with Joseph or his family. He begrudgingly allows Joseph to stay because his parents can’t be contacted, and Joseph sets out to discover more about his family’s past.
Joseph befriends Frankie, who assists him on his quest to unravel the mystery that is the Marvels, and how they related to his family. As they work their way through clues found in Albert’s house, and at the Royal Theatre where an ethereal painting of an angel adorns the ceiling, the story of the Marvels is pieced together and takes the two friends in a direction neither of them ever expected. The truth, it seems, in stranger than fiction. This is a fantastic story filled with historical detail, visual clues and hints, and engaging supporting characters. I particularly liked Florent, the Frenchman who has known Albert for many years and who makes it his business to watch over Joseph as he gets to know his grumpy, sullen uncle, and Frankie, the feisty, no-holds-barred girl who helps Joseph discover the truth about his family. Selznick has the enviable ability to show a great deal in just one drawing – sometimes more than a whole page of text can show.
Revelations, explanations and emotions collide as the novel moves to its satisfying conclusion. Once the written story is told, Selznick presents another, shorter, picture story to take us to the present day. It is a fitting end to a moving and entertaining narrative.
Heartily recommended for readers aged 8 and up.