This book is important. It is raw and real and doesn’t pull any punches. The reactions of the adults are totally believable. Sam is a young boy trying to process his brother Jason’s recent revelation that he is, in fact, a girl. Their parents (mum is an MP with PM aspirations and Dad is…well, a jerk really) react with alarm and incredulity. Sam is confused and doesn’t want to lose his brother. Hurtful words are said, misunderstandings are addressed and then exacerbated, Jason/Jessica is trying to find her way in an increasingly messed up world. Jessica’s Aunt Rose, and her soccer coach, Mr O’Brien, are shining beacons of acceptance and love – and provide great counterpoints to Sam’s parents and schoolmates. I really enjoyed this novel. It’s honest and simple and does a great job. There is hope at the end, and a wonderful sense of the love of these two siblings breaking through all the other stuff and winning the day.
For ages 10 and up.
What an interesting read this was! Started out as one thing and then took a left turn and became something even better. Taut, suspenseful and compelling; this is a corker of a debut novel. Pollock is writing from a place of knowledge and his portrayal of Peter, in particular, is fantastic. I sympathised with his character straight away and loved his story arc as he becomes someone he never imagined he could be. There are plenty of sinister and shady support characters too, and the parental influences here are terrifying. The ending of this book left me hanging, which was absolutely by design and very cleverly done. I look forward to seeing what else comes from the mind of Tom Pollock. This is a very self-assured and breathtaking debut.
Marlowe, the central character in Shivaun Plozza’s accomplished second novel is a fantastic protagonist. Flawed, fragile, but ultimately stronger than she realises, Marlowe is finding her way back into the world after having a life-saving heart transplant. Obsessed with connecting with the family of her donor, Marlowe is frustrating, but also highly likeable. Her mum is a “vegan warrior” who only wants the best for Marlowe, but she also tries to be her friend a little too much. I didn’t enjoy this character as much as I hoped to, but Pip, her wonderfully eccentric and self-confident little brother is an absolute delight. I kind of wish younger kids could get to read Pip too, because he is such a positive character. As such, Pip is a great reflection of Marlowe, who is often down on herself and others much of the time. No matter what, Pip can find the good in almost everything. As Marlowe’s relationship with the sister of her dead donor develops, the reader can see there is disaster looming, and when Marlowe starts falling for Leo, son of the local butcher, there is conflict of epic proportions brewing. No more story elements for fear of spoilers, but suffice to say Marlowe has to confront more than a few personal demons and work on mending lots of fences before the story ends.
Plozza’s writing is heartfelt and her dialogue, as in her debut novel Frankie, is absolutely on point. Leo is a laconic smart arse, but has a heart of gold. Marlowe is trying to break away from her family, but ultimately loves them more than anything. The realities of an adolescent trying to find her place, and settle into it comfortably are familiar, and handled here with aplomb. Highly recommended for ages 14 and up.
This biography is as illuminating about the biographer as it is of her subject. Sarah Krasnostein lays herself bare many times in this fascinating account of the life (or lives) of Sandra Pankhurst. Sandra reveals little sections of her life story to Krasnostein, forcing her to piece together all the disparate parts, sometimes filling in the blanks with her best guess. As we travel the road of Sandra’s life with her biographer, we get a definite sense of a person who has undergone terrible trauma herself, and now helps other people deal with theirs, in various ways, as her job.
Sandra is the classic unreliable narrator, sometimes choosing not to include details which Krasnostein later uncovers. The fact that any of it leads to an immensely satisfying conclusion is testament to Krasnostein’s easy writing style and willingness to “go with it” when speaking with Sandra; and to Sandra Pankhurst’s dogged determination to keep putting one foot in front of the other, no matter what.
Drawn to this initially because of the professional cleaning aspect (Pankhurst cleans death scenes, crime scenes and hoarders’ houses for a living), I found myself staying because I cared about Sandra, AND because I felt connected to her biographer who, by her own admission, struggles with the task she has set herself in documenting Sandra’s life.
Sandra’s clients help Krasnostein turn a light on her own life and experiences and the book is the richer for it. This is biography at its finest, despite its flaws -and it has plenty.
I can ignore the chinks in its armour, though, because I found this story compelling. I hope lots of other people do too, because as a tale of triumph in the face of overwhelming odds, it is a testament.